The Canny Gardener

how to be a smart gardener


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From the muddy pond, arises the amazing Lotus flower

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The Lotus flowers at Kew Gardens, London

The lotus flower grows, which is an aquatic perennial, in muddy ponds all over South East Asia. But the flowers are offered to the gods and kings, despite such humble origins.  That a muddy dirty pond should give rise to such a beautiful and majestic flowers- a flower that is the national flower of a country, India- is not a contradiction.  In Buddhism, the lotus flower is held up as a symbol of how one can transform life’s trials and tribulations into beauty, compassion and wisdom.

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Worshippers in Kandy, Sri Lanka with the white lotus

The lotus flower is also unique in the sense that seeds and flowers are to be found almost simultaneously in it, as a metaphor for the Buddhist belief that cause and effect are to be found together.

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White and purple lotus flowers on sale at a stall, Kandy, Sri Lanka

The lotus flower is also held up a symbol of longevity. Seeds of a lotus flower which bloomed 1300 years old in a lake in northeastern China  ago were made to flower. The lotus flowers are to be found in ancient Egyptian murals as well as many countries of Asia- China, India, Japan and Korea- testifying to the universal sense of wonder that one experiences when seeing them.  Now they are grown all over the world.

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My friend’s terrace where he grows the lotus flower in a small container

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Photo of my friend’s lotus flower

So next time you see a lotus flower, enjoy its beauty but also think about the various metaphors associated with it that might help you in life!

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Lotus flowers in a tea estate, Sri Lanka

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Launch of Energy Gardens

I have written previously about the garden we were working on the station platform at Acton Central Station, West London.  We finally had a grand launch on Friday with members of the community, our work partners- Repowering London, Groundwork Trust and Arriva (the train company) and the local Member of Parliament.  The garden is complete with ornamental and food sections- from which the local community can freely take away what they need, as long as they leave something for others!  The centre piece of the project consists of a large ornamental bed featuring a stone plaque with the encouraging words of Nichiren, a 13th century Buddhist philosopher, ‘Winer always turn to spring’.  These words are not just about seasons but also about finding hope and inspiration.  The bed is also a tribute to a station staff, well loved by the users of the station and local community, who died suddenly from cancer three years ago- around the time that the project started.  We hope that these words give hope to everyone while they wait at the platform.

Charushila/Energy Garden - Acton Central Railway Station Flower Bed opening - 18/5/18

We will now begin the second phase of the project which will concentrate more on the ‘energy section’ with solar panels and water harvesting schemes in the station.  Here are some photos from the event-

My speech from the day that you can see me reading out went like this-

Charushila is a charity, working to promote social engagement through the design and creation of community projects. ‘Charu’ means beautiful and ‘Shila’ means foundation in Sanskrit.

The charity is based on the theory of ‘Value creation’, as put forward by the 20th century Japanese school teacher, Tsunesaburo Makiguchi. Value creation consists of three aspects- beauty, goodness and benefit. In all our projects, we have strived for these aspects to shine through. Through this broad yet profound philosophy, we have found that we can work with people from all backgrounds, communities and countries. To date, Charushila has worked in the UK, India, Venezuela and Palestine. In the 1920’s Makiguchi was writing about the ‘generosity of plants and animals for which we are totally dependent upon our survival’. While today which is also the endangered species day, Makiguchi’s ideas seem so natural and logical, they did not go down well in war time Japan. He was banned from teaching and ultimately thrown into prison, where he died on 18th November 1944. He was 74 years old. Makiguchi was an extraordinarily far sighted man, whose legacy lives on. He particularly felt that young people would benefit from learning within a community. He said in 1930,

“The natural beginning point for understanding the world and our relationship to it, is that community which is a community of persons, land and culture, that gave us birth. It is that community that gave us our very lives and started us on the path towards becoming the persons we are. It is community that gives us our rootedness as human, as cultural beings.”

Today is a great celebration, and we are together here on this platform on a sunny day to launch this project. There will be days when it will be cold, the sun is not shining, and we might be alone on this very platform. When spring will turn into winter! For me, the success of this project will be when I see that people from the local community are helping to take care of the garden and also taking away food grown here. I am very grateful to Dr Huq for coming here to launch this project, to Robert Harrap, General Director of SGI-UK for his encouragement, and to my colleagues at Charushila and our partners in the project- the Energy gardens team, Groundwork Trust and Repowering London. My gratitude to all the station staff with whom we have worked for nearly three years. The project might be small but hopefully, the effect will be big- creating beauty, goodness and benefit for all.”

I hope the readers of this page can visit the station sometime!

 


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Life after death

Recently at Kew Gardens, there was an exhibition called ‘Life in death’ which featured an installation made of dried flowers, itself inspired by garlands found with mummies in Egypt. There was a solemnity and dignity about the work, while reminding us about the fragility and beauty of life.  I was immensely touched by this exhibition by Rebecca Louise Law, an installation artist based in London.

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It also stirred up my childhood memories of working with seeds and pressed leaves and flowers.  Fresh flowers can be fleeting joy but correctly preserved, flowers can give pleasure for a long time as the garlands from the Egyptian tombs show.   I try to bring back flowers which are meant to be thrown out after just a few hours in an event- such a waste not just of the flowers but also the artistry that made that bouquet.  Recently, I was attending an event with a lovely bouquet at my table made of white or pale flowers. It reminded me of both life and death.

I brought the bouquet back home and after a couple of days, the flowers started to dry up. Normally I would have thrown the entire bunch in the compost but these struck me as having a touch of fragile beauty, a whiff of life with a whiff of death about them.  I photographed them before it went on for composting. Here are the results-

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I hope these two encounters with dried flowers will rekindle that spark I used to have for them!


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Buildings, beauty and plants

Even the most ugly buildings get transformed by flowers.  I have been photographing beautiful flowers on buildings.  As John Ruskin realised during the Industrial Revolution ‘that the quest to make a more beautiful world is inseparable from the need to remake it politically, economically and socially’. Tsunesaburo Makiguchi believed that beauty, benefit and goodness provided the basis for a creative society.

I am currently working on a project that is bringing beauty in the form of plants and flowers, sustainability in the form of rainwater recycling and solar panels and benefit in form of public seating in a rather plain London overground station.  Here are some photos that I took for inspiration ranging from pubs, houses and stations

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Drawing plants

Even if you think you can’t draw or paint, it is a good habit to have. Drawing plants is a very easy thing to start with.  They don’t move or need a rest.  You can practice on them for as long as you like before progressing on the more difficult subjects.  But many well known and skilled artists also used painted flowers, vegetables and trees.  So you are in good company.  Van Gogh’s sunflowers is one of the best known flower painting, painted in his idiosyncratic style-

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(credit: Wikipedia)

You can use flowers and plants to develop your own style and experiment with colours, mediums and textures.  Here are some of my own work using water colours, pencils and even cherry juice.  They won’t be critical of your attempt at their portrait!

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Natural dyes

 

Having an Armenian link in my family, I decided this year to make traditional Armenian Easter eggs alongside a traditional meal. Making these Easter eggs involves using onion skins, turmeric and other natural dyes to colour eggs. Here are some of my efforts. I collected red onion skins- shopkeepers were happy to get rid of them. I also put in some chilli flakes that I was not using (these also make the water red). I boiled these for about twenty minutes and left it to cool overnight. In the morning, I pasted some leaves I found in the garden on the raw eggs using water. I used organic hens and duck eggs. Then I put the eggs inside cut up old stockings and boiled them further for about 20 minutes. After removing them from the stocking, I left them to cool. When they were cold to touch, I polished them with some olive oil to make them shine. Even though the duck eggs were less successful, the over all effect of mottled colour with silhouettes of leaves, was charming on both types of eggs.

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What about waste?  The skins were put in the compost and the leftover liquid was used to dye an old white silk blouse which is now a pretty pink colour. No waste- perfect!

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I will be trying out more natural dyes made from vegetable waste or origins such as blueberry juice, coffee, tea, etc. I have already used such colours in creating a portrait of person who likes spicy food (turmeric and onion skins), tea and coffee and more mineral colours.

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the most expensive and dangerous flower

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(print from Wikipedia)

In the 17th century Netherlands, arose the ‘Tulip mania’ when people believed that investing in tulips would make them rich.  Plants grow and flower- so what was there to lose?  Tulips originated from Eurasian and North African genus of perennial, bulbous plants in the lily family with around 75 wild species. The name ‘Tulip’ is reputed to come from a distortion of the word in Persian for turban, as reference to the shape of the flower.

The most expensive of the tulips was ‘Semper Augustus’, considered to be the most beautiful of all flowers and a pinnacle of achievement from the breeders.  Even before the ‘Tulip mania’, a single Semper Augustus bulb was said to have been sold for 5,500 guilders, reaching the dizzy  heights of 10,000 guilders in 1637, just before the crash.  In the 17th century, the annual earnings for a worker would have been around 150 florins, so 10,000 guilders would have been a huge sum of money.  But these flowers did not make the poor richer but as it were- it was to make the rich poorer. By the time the market for tulips collapsed in February 1637, Nicolaes van Wassenaer, a chronicler of the period, relates that only a dozen examples of Semper Augustus existed, all owned by a single individual.

The tulip also hid an unusual secret. It’s extraordinary beauty of blood red streaks across its ivory white petals was due to a virus.  This virus ‘breaks’ the single block of colour thereby streaking the petal and also added a stunning striation of yellow and red.  But in the meanwhile the plant is increasingly weakened by the virus. So the virus not only made it a ‘short lived’ beauty but also made it difficult to propagate, thereby naturally ending its genetic line. The famous Semper August bulb no longer exists except in some paintings of the Old Dutch masters. Instead we now have tulips with healthy blocks of colour with a few striated varieties.  This photo below was taken during the Tulip festival at Eden, Cornwall. Perhaps the lesson here is that not everything that looks beautiful is good for us.

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